\version "2.18.2"

#(ly:set-option 'point-and-click #f)

%--------------------
% Maintainer: Sven Kaiser / e-mail: noten(at)oemsel.de
% lampel_51-segen_s_satb_o_neu.ly
% 2017-02-26


\header {
    poet = "Chorauszug"
    composer = "Samuel Lampel (1884 - 1942)"
    title = \markup { \fontsize #2.0 "51. Segen"}
    subtitle = "Synagogengesänge für Kantor und gemischten Chor (Leipzig 1927)"
    tagline = \markup { \center-column \fontsize #-2.5 \italic  
                        {\line {"Notensatz nach der Vorlage S. Lampel, 'Synagogengesänge für Kantor und gemischten Chor', Leipzig 1927."} 
                         \line {"Originaler Vorlagensatz mit Orgelbegleitung: http://www.oemsel.de/noten/lampel_51-segen_s_satb_o_original.pdf"}
                         \line {"S. Lampel, 'Synagogengesänge für Kantor und gemischten Chor', Leipzig 1927: http://sammlungen.ub.uni-frankfurt.de/freimann/content/titleinfo/1357824"}
                         \line {"Diese Noten sind gemeinfrei  -  Rev. 1  -  Notensatzprogrammierung S. Kaiser mit http://lilypond.org   -   Notendownload: http://www.oemsel.de/noten" }}}
}

#(set-global-staff-size 15.5)


\paper {
    paper-width = 21.0\cm
    paper-height = 29.7\cm
    top-margin = 0.7\cm
    bottom-margin = 0.8\cm
    left-margin = 2.0\cm
    right-margin = 2.0\cm
    print-page-number = ##f
    ragged-bottom = ##t
    markup-system-spacing = #'((basic-distance . 22) (padding . 1) (stretchability . 0))
    system-system-spacing #'basic-distance = #17
    ragged-right = ##f
    ragged-last = ##f
    annotate-spacing = ##f
}

StichVoice = \relative c' {
  \clef treble
  \key c \minor
  \time 6/4
  \partial 4
%  \override NoteHead.color = #grey
%  \override Tie.color = #grey
%  \override Stem.color = #grey
%  \override Accidental.color = #grey
%  \override Script.color = #grey
   \override StaffSymbol.staff-space = #10
   \override StaffSymbol.ledger-line-thickness = #'(0.0 . 0.0)
%  \override Staff.LedgerLineSpanner.color = #grey
  \set Voice.fontSize = #-2
  \stemDown
  \override Tie.thickness = #0.0
  bes4~ 
  <bes g~ es~>4 <c g es>4 <d bes f d>4 <es g, es c>2 <f~ a, es ces>4 |
  <f bes, d, bes>2 <bes,~ as~ es c>4 <bes as f d>2
}

SoloVoice = \relative c'' {
  \clef treble
  \key c \minor
  \time 6/4
  \tempo "Moderato"
  \once \override TextScript #'padding = #2.0
  \once \override TextScript #'X-offset = #-9.0
  \once \override TextScript #'Y-offset = #6.0
  \partial 4
  \override MultiMeasureRest.staff-position = #2
  \override Rest.staff-position = #0
  r4 ^\markup{ \fontsize #3.0 {"Solo (Sopr. od. Ten.)"} }
  R1.*1
  r2 r4 r2 \fermata bes4 ^\mf |
  bes2 bes4 bes4( c4) bes4 |
  es2. r2 r4 |
  R1.*1 \break \noPageBreak |
  r2 r4 r4 es4 c4 |
  bes2 as4 g2 r4 |
  r2 r4 r2 c4 |
  b4 ^\< a4 b4 c4 d4 es4 \! \break \noPageBreak |
  f2. d2. |
  r2 c4 ^\< f2 f4 \! |
  f2( ^\> d4) bes2. \! |
  r2 r4 r2 c4 ^\p \pageBreak |
  
  bes4 ^\< g4 bes4 f'4 bes,4 ^\! 
  \once \override TextScript #'X-offset = #-2.8
  \once \override TextScript #'Y-offset = #3.0
  bes4 ^\markup {\italic \large "cresc."} |
  c4 d4 es4 es4 bes4 r4 |
  r2 r4 r2 es4 |
  f4 d4 c4 bes4( c4 as4) \break |
  g2. r2 c4 |
  bes4 as4 g4 f4( as4) c4 ^\markup {\italic \large "rit."} |
  es2. bes2 bes4 |
  bes4 ^\markup{ \larger {"Tempo I"}} g4 f4 es4 g4 bes4 \break |
  ces4 as4 es'4 d2. |
  es1. |
  #(define afterGraceFraction (cons 1 1000))
  \afterGrace f1. ^\f { as,1.} |
  \afterGrace g'1. {bes,1.} |
  ces1. ^\mf |
  bes1. |
  as1. ^\p |
  g1. |
  R1.*2
  \bar "|."
}

SoloText = \lyricmode {
Es seg -- ne dich der Herr
und be -- hü -- te dich, er las -- se sein Ant -- litz dir
leuch -- ten und sei dir gnä -- dig. Er
wen -- de sein Ant -- litz und ge -- be dir Frie -- den und ge -- be dir Frie -- 
den und ge -- be dir Frie -- den, Frie -- den, und ge -- be dir Frie -- den, und
ge -- be dir Frie -- den, A -- men. A -- men. A -- men. 
}

SopranVoice = \relative c'' {
  \clef treble
  \key c \minor
  \time 6/4
  \override Hairpin.to-barline = ##f
  \partial 4
  \override MultiMeasureRest.staff-position = #2
  \override Rest.staff-position = #0
  r4
  R1.*2 |
  r2 r4 r2 bes4 ^\tweak #'X-offset #-0.5 \< ^\tweak #'X-offset #-2.0 \mf |
  bes2 bes4 bes4( c4) bes4 |
  es2.~ \! es4 ^\> d4 c4 |
  bes2 as4 g2 \! r4 |
  r2 r4 r2 g4 |
  as4 ^\< bes4 c4 d4 es4 f4 |
  g2. \! es2 r4 |
  R1.*1 |
  c4 es4 c4 bes2( a4) |
  bes2. r2 bes4 ^\p |
  bes4 bes4 bes4 c4 c4 c4 |
  g4 g4 g4 bes2 r4 |
  r2 r4 r2 bes4 ^\< |
  ces4 ces4 es4 es4 \! 
  \once \override TextScript #'X-offset = #-2.8
  \once \override TextScript #'Y-offset = #5.0
  bes4 ^\markup {\italic \large "cresc."} r4 |
  r2 r4 r2 bes4 |
  g'4 ^\> f4 es4 es4 d4 \! r4 |
  r2 r4 r2 f,4 ^\markup {\italic \large "rit."} |
  es4 f4 as4 g2( f4) |
  es2.~ es2 es4 |
  es'2. f2 f4 |
  bes,4 g4 f4 es4( g4) bes4 |
  d1. ^\f |
  es1. |
  f1. ^\mf |
  g1. |
  f,1. ^\p |
  g1. |
  R1.*2 |
  \bar "|."
}

SopranText = \lyricmode {
Es seg -- ne dich der "Herr, der Herr," und be -- 
hü -- te dich, er las -- se sein Ant -- litz dir
leuch -- ten und sei dir gnä -- dig. Es wen -- de der Ew -- ge sein
Ant -- litz dir zu und ge -- be dir Frie -- den und
ge -- be dir Frie -- den und ge -- be dir Frie -- den __ dir
Frie -- den und ge -- be dir Frie -- den A -- men. A -- men. A -- men.
}

AltoVoice = \relative c'' {
  \clef treble
  \key c \minor
  \time 6/4
  \override Hairpin.to-barline = ##f
  \partial 4
  \override MultiMeasureRest.staff-position = #2
  \override Rest.staff-position = #0
  r4
  R1.*2 |
  r2 r4 r2 bes4 ^\<  ^\tweak #'X-offset #-2.0 \mf |
  g2 g4 f2 f4 |
  es2 \! es4 es4 ^\> es4 es4 |
  d2 f4 es2 \! r4 |
  r2 r4 r2 r4 |
  r2 r4 r2 c4 |
  g'4 g4 g4 g4 g4 ges4 |
  f2. f2. |
  g4 g4 ges4 f2( es4) |
  d2. r2 d4 ^\p |
  es4 es4 f4 es4 f4 g4 |
  d4 es4 d4 d2 r4 |
  r2 r4 r2 g4 ^\< |
  as4 as4 as4 bes4 \! 
  \once \override TextScript #'X-offset = #-2.8
  \once \override TextScript #'Y-offset = #4.0
  g4 ^\markup {\italic \large "cresc."} r4 |
  r2 r4 r2 bes4 |
  g4 ^\> g4 g4 f4 f4 \! r4 |
  r2 r4 r2 c4 ^\markup {\italic \large "rit."} |
  bes4 c4 es4 es4( c4 d4) |
  es2.~ es2 es4 |
  as1. |
  g1. |
  as1. ^\f |
  g1. |
  as1. ^\mf |
  g1. |
  es1. ^\p |
  es1. |
  R1.*2 |
\bar "|."
}

AltoText = \lyricmode {
Es seg -- ne dich der Herr, der Herr, und be -- 
hü -- te dich, er las -- se sein Ant -- litz dir
leuch -- ten und sei dir gnä -- dig. Es wen -- de der Ew -- ge sein
Ant -- litz dir zu und ge -- be dir Frie -- den und
ge -- be dir Frie -- den und ge -- be dir Frie -- den __ dir
Frie -- den A -- men. A -- men. A -- men.
}

TenorVoice = \relative c' {
  \clef "treble_8"
  \key c \minor
  \time 6/4
  \once \override TextScript #'padding = #2.0
  \once \override TextScript #'X-offset = #-8.0
  \once \override TextScript #'Y-offset = #5.0
  \override Hairpin.to-barline = ##f
  \partial 4
  \override MultiMeasureRest.staff-position = #2
  \override Rest.staff-position = #0
  r4 ^\markup{ \fontsize #3.0 {"Chor"} }
  R1.*2 |
  r2 r4 r2 bes4 ^\< ^\tweak #'X-offset #-2.0 \mf |
  bes2 bes4 bes2 bes4 |
  g2 \! g4 as4 ^\> as4 as4 |
  bes2 bes4 bes2 \! r4 |
  r2 r4 r2 r4 |
  r2 as4 bes4 c4 d4 |
  d4 c4 d4 es4 c4 bes4 |
  a2. bes2. |
  bes4 bes4 bes8( c8) \noBeam d2( c4) |
  bes2. r2 bes4 ^\p |
  g4 g4 bes4 g4 g4 g4 |
  bes4 c4 bes4 as2 r4 |
  r2 r4 r2 es'4 ^\< |
  es4 es4 ces4 es4 \! 
  \once \override TextScript #'X-offset = #-2.8
  \once \override TextScript #'Y-offset = #4.0
  es4 ^\markup {\italic \large "cresc."} r4 |
  r2 r4 r2 bes4 |
  bes4 ^\> bes4 bes4 b4 b4 \! r4 |
  r2 r4 r2 as4 ^\markup {\italic \large "rit."} |
  g4 as4 c4 bes2( as4) |
  g2.~ g2 g4 |
  ces1. |
  bes1. |
  ces1. ^\f |
  bes1. |
  d1. ^\mf |
  es1. |
  ces1. ^\p |
  bes1. |
  R1.*2 |
  \bar "|."
}

TenorText = \lyricmode {
Es seg -- ne dich der Herr, der Herr, und be -- 
hü -- te dich, er las -- se, er las -- se sein Ant -- litz dir
leuch -- ten und sei dir gnä -- dig. Es wen -- de der Ew -- ge sein
Ant -- litz dir zu und ge -- be dir Frie -- den und
ge -- be dir Frie -- den und ge -- be dir Frie -- den __ dir
Frie -- den A -- men. A -- men. A -- men.
}

BassVoice = \relative c' {
  \clef bass
  \key c \minor
  \time 6/4
  \override Hairpin.to-barline = ##f
  \partial 4
  \override MultiMeasureRest.staff-position = #2
  \override Rest.staff-position = #0
  r4
  R1.*2 |
  r2 r4 r2 bes4 ^\<  ^\tweak #'X-offset #-2.0 \mf |
  es,2 es4 d2 d4 |
  c2 \! c4 f4 ^\> f4 f4 |
  bes,2 d4 es2 \! r4 |
  r2 r4 r2 es4 |
  f4 ^\< g4 as4 as4 as4 as4 |
  g2.  \! c,2 r4 |
  R1.*1 |
  es4 c4 es4 f2. |
  bes,2. r2 bes4 ^\p |
  es4 es4 d4 c4 d4 es4 |
  g4 c,4 g'4 f2 r4 |
  r2 r4 r2 es4 ^\< |
  as4 as4 as4 g4 \! 
  \once \override TextScript #'X-offset = #-2.8
  \once \override TextScript #'Y-offset = #3.0
  es4 ^\markup {\italic \large "cresc."} r4 |
  r2 r4 r2 bes'4 |
  es,4 ^\> es4 es4 g4 g4 \! r4 |
  r2 r4 r2 as,4 ^\markup {\italic \large "rit."} |
  bes1. |
  es2.~ es2 es4 |
  es1. |
  es1. |
  es1. ^\f |
  es1. |
  es1. ^\mf |
  es1. |
  es,1. ^\p |
  es1. |
  R1.*2 |
  \bar "|."
}

BassText = \lyricmode {
Es seg -- ne dich der Herr, der Herr, und be -- 
hü -- te dich, er las -- se sein Ant -- litz dir
leuch -- ten und sei dir gnä -- dig. Es wen -- de der Ew -- ge sein
Ant -- litz dir zu und ge -- be dir Frie -- den und
ge -- be dir Frie -- den dir Frie -- den __ dir 
Frie -- den A -- men. A -- men. A -- men.
}



\score {
<<
\new Staff <<
\new Voice = "SoloVoice"  \with { \consists "Ambitus_engraver"} { \autoBeamOff {\SoloVoice} }
\new Lyrics \lyricsto "SoloVoice" \SoloText
\new Voice = "StichVoice" { \autoBeamOff {\StichVoice} }
>>
        \new ChoirStaff <<
            \new Staff \with { \consists "Ambitus_engraver"}
            <<
                \set Staff.instrumentName = "S"
                \context Staff << 
                    \context Voice = "SopranVoice" { \voiceOne \SopranVoice }
                    \new Lyrics \lyricsto "SopranVoice" \SopranText
                    >>
                >>
            \new Staff \with { \consists "Ambitus_engraver"} 
            <<
                \set Staff.instrumentName = "A"
                \context Staff << 
                    \context Voice = "AltoVoice" { \voiceOne \AltoVoice }
                    \new Lyrics \lyricsto "AltoVoice" \AltoText
                    >>
                >>
            \new Staff \with { \consists "Ambitus_engraver"}
            <<
                \set Staff.instrumentName = "T"
                \context Staff << 
                    \context Voice = "TenorVoice" { \voiceOne \TenorVoice }
                    \new Lyrics \lyricsto "TenorVoice" \TenorText

                >>
                >>
            \new Staff \with { \consists "Ambitus_engraver"}
            <<
                \set Staff.instrumentName = "B"
                \context Staff << 
                    \context Voice = "BassVoice" { \voiceTwo \BassVoice }
                    \new Lyrics \lyricsto "BassVoice" \BassText

                >>
                >>
            >>
>>
        \layout { 
            \context { \Score \override BarNumber.padding = #2.0 } 
            indent = #5
                }
}

\score {
  <<
    \new Voice = "SoloVoice" \SoloVoice
    \new Voice = "StichVoice" \StichVoice
    \new Voice = "SopranVoice" \SopranVoice
    \new Voice = "AltoVoice" \AltoVoice    
    \new Voice = "TenorVoice" \TenorVoice
    \new Voice = "BassVoice" \BassVoice
  >>
  \midi { }
}