\version "2.18.2" #(ly:set-option 'point-and-click #f) %-------------------- % Maintainer: Sven Kaiser / e-mail: noten(at)oemsel.de % da_jesus_in_den_garten_ging_reger_s-a-t-b.ly % 2016-01-24 \header { poet = "Text XVI., Melodie XVIII. Jahrh." composer = "Max Reger (1873 - 1916)" title = "Da Jesus in den Garten ging" subtitle = "Nr. 4 aus 'Sieben geistliche Volkslieder'" tagline = \markup { \tiny \italic"Diese Noten sind gemeinfrei - Rev. 1 - Notensatzprogrammierung S. Kaiser mit http://lilypond.org - Notendownload: www.oemsel.de/noten" } } #(set-global-staff-size 15.4) \paper { paper-width = 21.0\cm paper-height = 29.7\cm top-margin = 0.8\cm bottom-margin = 1.3\cm left-margin = 1.7\cm right-margin = 1.3\cm print-page-number = ##f ragged-bottom = ##t markup-system-spacing = #'((basic-distance . 22) (padding . 0.0) (stretchability . 60.0)) system-system-spacing #'basic-distance = #27 ragged-right = ##t ragged-last = ##t } \layout { \context { \Score autoBeaming = ##f} } SopranVoice = \relative c' { \clef "treble" \key g \major \time 3/4 \once \override TextScript #'padding = #2.0 \once \override TextScript #'X-offset = #-4.0 \once \override TextScript #'Y-offset = #6.0 e4 ^\p ^\< ^\markup{ {Nicht zu langsam.} } e4 e4 \!| b'4.( c8) b4 | b4(a4) \override Hairpin.to-barline = ##f g4 ^\> | fis2 \! \afterGrace r4 {fis8 \rest fis8} | a4 ^\< a4 a4 \! | a4.( g8) fis4 | g4 a4 \override Hairpin.to-barline = ##f b4 ^\> | e,2 \! \override Hairpin.to-barline = ##f \once \override TextScript #'X-offset = #-2.0 b'4 ^\markup { \bold \italic {più p} } | a4(^\< fis4) g8[ fis8] \! | e2 d4 | g2 \override Hairpin.to-barline = ##f a4 ^\> | b2 \! r4 | b4 b4 b4 | a2 \override Hairpin.to-barline = ##f b4 ^\> | g4 fis2 | e2 \! ^\pp r4 \bar "|." } SopranVoiceLyricsOne = \lyricmode { \set stanza = "1." Da Je -- sus | in den Gar -- ten ging, | und dort sein | bitt' -- res | Lei -- den an -- fing, da | trau -- ert | Al -- les, | was da | war, | all' Tier und | Gras, der Fels so -- gar. } SopranVoiceLyricsTwo = \lyricmode { \set stanza = "4." Beugt euch, ihr | Bäum' und | je -- der | Ast, | am Kreuz hat_d'r | Herr nicht | Ruh _ noch | Rast, die | ho -- hen | Bäu -- me | bie -- gen | sich, | die har -- ten | Fel -- sen | spal -- ten | sich. | } SopranVoiceLyricsThree = \lyricmode { \set stanza = "5." Die Sonn' ver -- | lie -- ret | ih -- ren | \once \override LyricText.self-alignment-X = #LEFT Schein,_die | Wald -- vög -- lein | las -- sen | ihr Sin -- gen | sein, die | Erd' riss | auf vor | gro -- ßer | Pein, | wie mocht' Ma -- | ri -- as | Her -- \once \override LyricText.self-alignment-X = #LEFT ze-leid | sein! | } AltVoice = \relative c' { \clef "treble" \key g \major \time 3/4 \once \override TextScript #'padding = #2.0 \once \override TextScript #'Y-offset = #5.0 b4 ^\markup{ \fontsize #5 \with-color #white x } ^\p ^\< c4 b8[ e8] \! | d4.( e8) d4 | e2 \override Hairpin.to-barline = ##f e4 ^\> | dis2 \! \afterGrace r4 {dis8 \rest dis8} | e4 ^\< fis4 e4 \! | d2 d8[ c8] | b4 d4 \override Hairpin.to-barline = ##f d4 ^\> | \once \override TextScript #'padding = #2.0 \once \override TextScript #'Y-offset = #5.0 c2 ^\markup{ \fontsize #5 \with-color #white x } \! \override Hairpin.to-barline = ##f \once \override TextScript #'X-offset = #-2.0 d4 ^\markup { \bold \italic {più p} } | d2 ^\< d4 \! | d4( cis4) d4 | b4( e4) \override Hairpin.to-barline = ##f e4 ^\> | dis2 \! r4 | e4 fis4 e4 | e4.( fis8) \override Hairpin.to-barline = ##f g8[ ^\> fis8] | e4 e4( dis) | b2 \! ^\pp r4 | \bar "|." } AltVoiceLyricsOne = \lyricmode { \set stanza = "1." Da Je -- sus | in den Gar -- ten ging, | und dort sein | bitt' -- res | Lei -- den an -- fing, da | trau -- ert | Al -- les, | was da | war, | all' Tier und | Gras, der Fels so -- gar. } AltVoiceLyricsTwo = \lyricmode { \set stanza = "4." Beugt euch, ihr | Bäum' und | je -- der | Ast, | am Kreuz hat_d'r | Herr nicht | Ruh _ noch | Rast, die | ho -- hen | Bäu -- me | bie -- gen | sich, | die har -- ten | Fel -- sen | spal -- ten | sich. | } AltVoiceLyricsThree = \lyricmode { \set stanza = "5." Die Sonn' ver -- | lie -- ret | ih -- \once \override Lyrics.LyricSpace.minimum-distance = #-10.0 ren | \once \override LyricText.self-alignment-X = #LEFT Schein,_die | Wald -- vög -- lein | las -- sen | ihr Sin -- gen | sein, die | Erd' riss | auf vor | gro -- ßer | Pein, | wie mocht' Ma -- | ri -- as | Her -- ze -- leid | sein! | } TenorVoice = \relative c' { \clef "treble_8" \key g \major \time 3/4 \once \override TextScript #'padding = #2.0 \once \override TextScript #'Y-offset = #5.0 g4 ^\markup{ \fontsize #5 \with-color #white x }^\p ^\< a4 g4 \! | g2 g4 | g4( c4) \override Hairpin.to-barline = ##f b4 ^\> | b2 \! \afterGrace r4 {b8 \rest b8} | a4 ^\< a4 a8[ g8] \! | fis4.( b8) a4 | g4 fis4 \override Hairpin.to-barline = ##f g4 ^\> | \once \override TextScript #'padding = #2.0 \once \override TextScript #'Y-offset = #5.0 g2 ^\markup{ \fontsize #5 \with-color #white x } \! \override Hairpin.to-barline = ##f \once \override TextScript #'X-offset = #-2.0 g4 ^\markup { \bold \italic {più p} } | fis4( ^\< a4) g8[ a8] \! | b4( a8[ g8]) fis4 | g4( b4) \override Hairpin.to-barline = ##f c4 ^\> | fis,2 \! r4 | g4 b8[ a8] g4 | c2 \override Hairpin.to-barline = ##f d4 ^\> | c4 c4( b8[ a8]) | g2 \! ^\pp r4 \bar "|." } TenorVoiceLyricsOne = \lyricmode { \set stanza = "1." Da Je -- sus | in den Gar -- ten ging, | und dort sein | bitt' -- res | Lei -- den an -- fing, da | trau -- ert | Al -- les, | was da | war, | all' Tier und | Gras, der Fels so -- gar. } TenorVoiceLyricsTwo = \lyricmode { \set stanza = "4." Beugt euch, ihr | Bäum' und | je -- der | Ast, | am Kreuz hat_d'r | Herr nicht | Ruh _ noch | Rast, die | ho -- hen | Bäu -- me | bie -- gen | sich, | die har -- ten | Fel -- sen | spal -- ten | sich. | } TenorVoiceLyricsThree = \lyricmode { \set stanza = "5." Die Sonn' ver -- | lie -- ret | ih -- \once \override Lyrics.LyricSpace.minimum-distance = #-10.0 ren | \once \override LyricText.self-alignment-X = #LEFT Schein,_die | Wald -- vög -- lein | las -- sen | ihr Sin -- gen | sein, die | Erd' riss | auf vor | gro -- ßer | Pein, | wie mocht' Ma -- | ri -- as | Her -- ze -- leid | sein! | } BassVoice = \relative c { \clef "bass" \key g \major \time 3/4 \once \override TextScript #'padding = #2.0 \once \override TextScript #'Y-offset = #5.0 e4 ^\markup{ \fontsize #5 \with-color #white x }^\p ^\< a,4 e'4 \! | g,2 b4 | \slurDown e4 ( c8[ d8]) \override Hairpin.to-barline = ##f e4 ^\> | b2 \! \afterGrace r4 {b8 \rest b8} | cis4 ^\< d4 cis4 \! | d2 d4 | e4 d4 \override Hairpin.to-barline = ##f g,4 ^\> | \once \override TextScript #'padding = #2.0 \once \override TextScript #'Y-offset = #5.0 c2 ^\markup{ \fontsize #5 \with-color #white x } \! \override Hairpin.to-barline = ##f \once \override TextScript #'X-offset = #-2.0 g4 ^\markup { \bold \italic {più p} } | d'4.( ^\< c8) b8[ a8] \! | g4( a4) b4 | e4.( d8) \override Hairpin.to-barline = ##f c4 ^\> | b2 \! r4 | e4 dis4 e4 | c2 \override Hairpin.to-barline = ##f b4 ^\> | c4 a4( b4) | e2 \! ^\pp r4 | \bar "|." } BassVoiceLyricsOne = \lyricmode { \set stanza = "1." Da Je -- sus | in den Gar -- ten ging, | und dort sein | bitt' -- res | Lei -- den an -- fing, da | trau -- ert | Al -- les, | was da | war, | all' Tier und | Gras, der Fels so -- gar. } BassVoiceLyricsTwo = \lyricmode { \set stanza = "4." Beugt euch, ihr | Bäum' und | je -- der | Ast, | am Kreuz hat_d'r | Herr nicht | Ruh _ noch | Rast, die | ho -- hen | Bäu -- me | bie -- gen | sich, | die har -- ten | Fel -- sen | spal -- ten | sich. | } BassVoiceLyricsThree = \lyricmode { \set stanza = "5." Die Sonn' ver -- | lie -- ret | ih -- \once \override Lyrics.LyricSpace.minimum-distance = #-10.0 ren | \once \override LyricText.self-alignment-X = #LEFT Schein,_die | Wald -- vög -- lein | las -- sen | ihr Sin -- gen | sein, die | Erd' riss | auf vor | gro -- ßer | Pein, | wie mocht' Ma -- | ri -- as | Her -- ze -- leid | sein! | } % The score definition \score { \new ChoirStaff << \new Staff \with { \consists "Ambitus_engraver"} << \set Staff.instrumentName = "Sopran" \context Staff << \context Voice = "SopranVoice" { \SopranVoice } \new Lyrics \lyricsto "SopranVoice" \SopranVoiceLyricsOne \new Lyrics \lyricsto "SopranVoice" \SopranVoiceLyricsTwo \new Lyrics \lyricsto "SopranVoice" \SopranVoiceLyricsThree >> >> \new Staff \with { \consists "Ambitus_engraver"} << \set Staff.instrumentName = "Alt" \context Staff << \context Voice = "AltVoice" { \AltVoice } \new Lyrics \lyricsto "AltVoice" \AltVoiceLyricsOne \new Lyrics \lyricsto "AltVoice" \AltVoiceLyricsTwo \new Lyrics \lyricsto "AltVoice" \AltVoiceLyricsThree >> >> \new Staff \with { \consists "Ambitus_engraver"} << \set Staff.instrumentName = "Tenor" \context Staff << \context Voice = "TenorVoice" { \TenorVoice } \new Lyrics \lyricsto "TenorVoice" \TenorVoiceLyricsOne \new Lyrics \lyricsto "TenorVoice" \TenorVoiceLyricsTwo \new Lyrics \lyricsto "TenorVoice" \TenorVoiceLyricsThree >> >> \new Staff \with { \consists "Ambitus_engraver"} << \set Staff.instrumentName = "Bass" \context Staff << \context Voice = "BassVoice" { \BassVoice } \new Lyrics \lyricsto "BassVoice" \BassVoiceLyricsOne \new Lyrics \lyricsto "BassVoice" \BassVoiceLyricsTwo \new Lyrics \lyricsto "BassVoice" \BassVoiceLyricsThree >> >> >> \layout { % Steuert die Höhe der Taktnummerierung über dem System \context { \Score \override BarNumber.padding = #2.0 } % steuert die Einrückung des ersten Systems; Standardwert = automatisch eingerückt indent = #10 } } \score { << \new Voice = "Sopran" { \autoBeamOff \SopranVoice } \new Voice = "Alt" { \autoBeamOff \AltVoice } \new Voice = "Tenor" { \autoBeamOff \TenorVoice } \new Voice = "Bass" { \autoBeamOff \BassVoice } >> \midi { } }