\version "2.16.1"

%% additional definitions required by the score:
%\language "=deutsch"

#(ly:set-option 'point-and-click #f)


%--------------------
% Maintainer: Sven Kaiser / e-mail: noten(at)oemsel.de
% altboehmische_weihnachtslieder-2a_frauenchor_die_engel.ly
% 2013-11-01
\header {
    dedication = \markup {\large \bold "Altböhmisches Weihnachtlied"}
    title = "Die Engel und die Hirten"
    poet = "Altböhmische Melodie"
    composer = "Tonsatz von Carl Riedel (1827 - 1888)"
    subtitle = "1: Frauenchor - Die Engel"
    breakbefore = ##f
    tagline = \markup { \tiny \italic "Rev. 1  -  Notensatzprogrammierung S. Kaiser mit http://lilypond.org   -   Notendownload: www.oemsel.de/noten" }}


#(set-global-staff-size 16)
\paper {
    paper-width = 21.0\cm
    paper-height = 29.7\cm
    top-margin = 0.8\cm
    bottom-margin = 1.3\cm
    left-margin = 2\cm
    right-margin = 2\cm
    print-page-number = ##f
}
\layout {
    \context { \Score
        skipBars = ##t
        autoBeaming = ##f
        }
    }
SopVoiceOne =  \relative c''
{
    \set melismaBusyProperties = #'(melismaBusy beamMelismaBusy)
    % Dicke der Taktlinien
    \override Score.BarLine #'hair-thickness = #1.2
    % Dicke des dicken Striches (End-, Wiederholungstaktlinien
    \override Score.BarLine #'thick-thickness = #3.6
    \overrideProperty #"Score.NonMusicalPaperColumn"
      #'line-break-system-details #'((Y-offset . 18) )
    \clef "treble" \key g \major \time 3/4
    \once \override TextScript #'X-offset = #-3.0
    \stemUp \slurUp
    d4( ^\mf ^\markup{ \bold\italic {Sanft. Nicht zu schnell.}} d8[ b8]) e8[( c8] |
    d4 d8[ b8]) e8[( c8] |
    \override Hairpin #'to-barline = ##f
    d4 b8[ d8]^\markup {\italic "poco rit."} a8[ b8]^\> |
    g2)\! r4 |
    d'4(^\p d8[ b8]) e8[(^\pp c8] | \break

    \overrideProperty #"Score.NonMusicalPaperColumn"
     #'line-break-system-details #'((Y-offset . 58) )

    d4 ^\markup {\italic "dolcissimo"} d8[ b8] e8[ c8] |
    d4 b8[ d8] a8[^\> b8]\! |
    g2) r4 |
    g4 ^\f b8 g8 ^- b8 ^- ^\> d8( \! |
    g,4 b8 g8 a8 ^> d,8) | \break

    \overrideProperty #"Score.NonMusicalPaperColumn"
     #'line-break-system-details #'((Y-offset . 97) )

    g4 ^\mf b8 g8 ^\markup {\italic "etwas breit"} b8 ^- d8 ^- |
    g,4 ^\markup {\italic "a tempo"} b8 g8 a8 ^> d,8 |
    d'4 ^\markup {\dynamic "p" \italic "Ruhig."} b8[ d8] a8[ b8] |
    g2 r4 |
    \bar "|."
}


SopVoiceTwo =  \relative c''
{
    \set melismaBusyProperties = #'(melismaBusy beamMelismaBusy)
    % Dicke der Taktlinien
    \override Score.BarLine #'hair-thickness = #1.2
    % Dicke des dicken Striches (End-, Wiederholungstaktlinien
    \override Score.BarLine #'thick-thickness = #3.6
    \clef "treble" \key g \major \time 3/4
    \stemDown \slurDown
    b4 b8[ g8] c8[ a8] |
    b4 b8[ g8] c8[ a8] |
    b4 g8[ b8] a8[ d,8] |
    g2 r4 |
    b4 b8[ g8] c8[ a8] |
    b4 b8[ g8] c8[ a8] |
    b4 g8[ b8] a8[ d,8] |
    g2 r4 |
    g4 b8 g8 b8 d8 |
    g,4 b8 g8 a8 d,8 |
    g4 b8 g8 b8 d8 |
    g,4 b8 g8 a 8 d,8 |
    g4 g4 fis4 |
    d2 r4 |
    \bar "|."
}


AltVoice =  \relative c'' 
{
    \set melismaBusyProperties = #'(melismaBusy beamMelismaBusy)
    \clef "treble" \key g \major \time 3/4
    \once \override TextScript #'padding = #5 
    g2 ^\markup{{" "}} ^\mf g4 \hideNotes \grace c,2 \unHideNotes |
    g'2 g4 |
    \override Hairpin #'to-barline = ##f
    g2 fis4 ^\> ^\markup {\italic "poco rit."} |
    g2 \! r4 |
    g2 ^\p g4 ^\pp |
    \once \override TextScript #'padding = #5
    g2 ^\markup{{" "}} g4 |
    \override Hairpin #'to-barline = ##t
    g2 fis4 ^\> |
    g2 ^\! r4 |
    g4 ^\f b8 g8 ^- b8 ^\> ^- d8( \! |
    g,4 b8 g8 a8 ^> d,8) |
    \once \override TextScript #'padding = #5
    g4 ^\mf ^\markup{{" "}} b8 g8 ^\markup {\italic "etwas breit"} b8 ^- d8 ^- |
    g,4 ^\markup {\italic "a tempo"} b8 g8 a8 ^> d,8 |
    b4 ^\markup {\dynamic "p" \italic "Ruhig."} d4 c4 |
    b2 r4 |
    \bar "|."
    }


TenVoice =  \relative c' 
{
    \set melismaBusyProperties = #'(melismaBusy beamMelismaBusy)
    \clef "treble_8" \key g \major \time 3/4
    b4( ^\mf d4 fis4 |
    g4 d4) a4( |
    b4 d4 c4 |
    b2) r4 |
    b4( d4 fis4 |
    g4 d4) a4( ^\pp |
    b4 d4 c4 |
    b2) r4 |
    b4( ^\markup{\dynamic {f} \bold\italic {" klangvoll"}} g8 b8 d8 ^\> g8)\! |
    b,4(^> d8 b8 c8 c8) |
    b4 ( g8 b8 ^\< d8 ^- g ^- \! ) |
    b,4 ( ^\p d8 b8 c8 ^> c8) |
    b4 ^\f d4 ^> c4 |
    b2 r4 |
    
    
    
    \bar "|."
    }


    
TextSop =  \lyricmode {
  Kom -- met, ihr Hir -- ten, ihr Män -- ner und Frau'n,
  kom -- met, das lieb -- li -- che Kind -- lein zu schau'n
  Chri -- stus. der Herr, ist heu -- te ge -- bor -- en,
  den Gott zum Hei -- land euch hat er -- ko -- ren.
  Fürch -- tet euch nicht!
}

TextAlt =  \lyricmode {
  Kommt, ihr Hir -- ten, Mann' und Frau'n, kommt, das
  lie -- be Kind zu schau'n. Chri -- stus, der Herr, ist heu -- te ge -- bo -- ren,
  den Gott zum Hei -- land euch hat er -- ko -- ren.
  Fürch -- tet euch nicht!
}


% The score definition
\score {
    <<
        \new ChoirStaff \with { \override SpanBar #'transparent = ##t }
        <<
            \new Staff <<
                \set Staff.instrumentName = \markup {
                              \column {\center-align "Sopran I "
                              \line {\center-align "Sopran II " }}}
                \context Staff << 
                  \context Voice = "SopVoiceOne" { \SopVoiceOne }
                  \new Lyrics \lyricsto "SopVoiceOne" \TextSop
                  \context Voice = "SopVoiceTwo" { \SopVoiceTwo } 
                  %      \new Lyrics \lyricsto "SopVoiceTwo" \TextSop                    
                  >>
            >>
                
            \new Staff <<
                \set Staff.instrumentName = " Alt "
                \context Staff << 
                    \context Voice = "AltVoice" { \AltVoice }
                    \new Lyrics \lyricsto "AltVoice" \TextAlt
                    >>
                >>
%            \new Staff <<
%                \set Staff.instrumentName = " Tenor "
%                \context Staff << 
%                    \context Voice = "TenVoice" { \TenVoice }
%                    \new Lyrics \lyricsto "TenVoice" \TextSop
%                    >>
%                >>
%            \new Staff << 
%		\set Staff.instrumentName = " Bass "
%			\context Voice = "BasVoiceOne" { \BasVoiceOne }
%                        \new Lyrics \lyricsto "BasVoiceOne" \TextBasOne
%                        
%			\context Voice = "BasVoiceTwo" { \BasVoiceTwo } 
%                        %\new Lyrics \lyricsto "BasVoiceTwo" \TextBasOne
%            >>
            
            >>
       
      >>


       \layout { 
  	% Steuert die Höhe der Taktnummerierung über dem System        
        \context { \Score \override BarNumber #'padding = #2.0 } 
        % steuert die Einrückung des ersten Systems; Standardwert = automatisch eingerückt
        indent = #10

        % f (Standardwert) = letzte/s Zeile/System wird auf Zeilenlänge gestreckt
	%ragged-last = ##t
       }
}

\score {
<<
\new Voice = "Sopran I" { \autoBeamOff \SopVoiceOne }
\new Voice = "Sopran II" { \autoBeamOff \SopVoiceTwo }
\new Voice = "Alt" { \autoBeamOff \AltVoice }
>>
\midi { }
}